TANK MAGAZINE | Issue 95 | BUY THIS ISSUE |
- EATING YOUR WORDS: a letter from the editor-in-chief,
- MANIFESTO: how does the stylist create meaning?,
- PALE FIRE: photography by Henry Gorse, styling by Lewis Munro,
- STROKE OF THE CANE: photography by Adam Goodison, set design by Imogen Frost,
- THE TALENT: London-based designers creating stories in clothes,
- FRANCESCA HAYWARD: photography by Ulrike Rindermann, make-up by Kay Montano using CHANEL Beauty,
- APARTMENT, INTERIOR, DAY: photography by Josh David Payne, styling by Megan Mandeville,
- COTTAGE INDUSTRIES: photography by Kenyon Anderson, styling by Shayna Arnold,
- GO LIGHTLY: meadowsweet gems by Graff,
- LA SALADE NIÇOISE: delicious nails by Chanel,
- RARE SPECTACLES: photography by Pauline Caranton.
- | Summer Reader | WHAT YOU READING FOR? reworking the books issue,
- IS THE NOVEL A BOURGEOIS FORM?: semiotics studio Axis Mundi break down the new publishing paradigm,
- PUBLISHING IN BLACK AND WHITE: visualising the industry,
- IN MY GOOD BOOKS: Barbara Epler on the best recently-published fiction,
- WHAT'S GOING ON IN LITERARY PUBLISHING?: fiction editors weigh in,
- TAKE A LOOK IN THE MIRROR: the book as self-improvement. By Ed Luker,
- GRACE AND ANNIHILATION: László Krasznahorkai in conversation with Claudia Steinberg,
- LEVIATHAN: the body of the novel. By Louis Rogers,
- A CONCORDANCE OF LYNNE TILLMAN: what’s in a word?,
- HOW IT’S MADE: Sarah Brouillette on marketisation, literary aspiration and the state of criticism,
- FINE LINES: writers on sentences ,
- INTO THE SUBLIME: Anahid Nersessian on Keats and Marx,
- BOOKTOK: an anthropological approach to a new critical infrastructure. By Matteo Pini,
- UNCOMMON TONGUE: translators respond to our questions on the art of the craft,
- WHAT IS AN ART BOOK FOR?: editors and artists respond,
- COLLECTOR’S ITEMS: Kirsty Bell on art books,
- WHAT WOULD EMMA DO?: a letter to Marc Camille Chaimowicz,
- PRINTWORKS: making the news. By Eloise Hawser,
- DARK AND DEEP: into the weeds with Mark Rylance.
- UNCANNY VALLEY: Hollywood is calling. Photography by Pietro Cocco, styling by Tea Barbagallo,
- A STITCH IN TIME: Chanel takes a new collection from Dakar to Paris. Photography by Goldie Williams, styling by Caroline Issa,
- HORIBIL CREATCHERS: living on the edgelands. Photography by Sohrab Golsorkhi-Ainslie, art direction and styling by Alice Ray.
- GARY YOUNGE: “Identity is a great place to start in politics, but a terrible place to finish”,
- CATHERINE OPIE: “Photography as a medium makes it difficult not to create constant clichés”,
- ROSANNA MCLAUGHLIN: “These days we live under the tyranny of relatable first-person writing”,
- STEVEN PHILLIPS-HORST AND LILY MAROTTA: “On the podcast, we see the world as a place imbued with performance”,
- ANGEL OTERO: “I’m curious about responding to chance”,
- Róisín Tapponi: “Truly independent cinema is not just independently distributed but independently produced”,
- EMMA WARREN: “We know the dance is political because those with political power legislate against it”,
- FRIDTJOF RYDER: “Over a year and a half of writing, whatever interests you starts to bleed in”,
- ALEKSANDAR HEMON: “It’s hard for us to see the edges of history when we’re living it”,
- MICHAEL BRACEWELL: “I don’t know if there’s any point trying to write a literary work unless you actually need to do it”.